Chakam: The Power of a Single Frame
Chakam. The sharp snap of a camera shutter captures a moment in time—light, colour, and emotion sealed into a single frame, telling a story more than a thousand words. In that split second, memories are preserved and perception is called into question.
This is the power Lagos Photo Festival 2025 brings to the stage, visual storytelling that does more than capture memories; it challenges stereotypes, reframing the way we see the world.
LagosPhoto’s Vision & Origins
Now stepping into its first-ever biennial edition, LagosPhoto is expanding its horizon for deeper exploration. Founded in 2010 by the African Artists’ Foundation under the vision of curator Azu Nwagbogu, the festival has become a landmark in African photography. It is an annual gathering of local and international talent dedicated to telling authentic stories from Africa and beyond through the lens of a camera.
“In a world where African narratives have too often been shaped by external perspectives, photography allows African artists to present their own visions and realities,” says Nwagbogu
Azu Nwagbogu (2024). Photo: Pardis Faqiri. Courtesy Azu Nwagbogu / Ocula.
Incarceration; What It Means
This year’s edition, running from October 25, 2025, to November 29, 2025, revolves around the theme Incarceration. While the word might immediately bring to mind prison walls and locked doors, LagosPhoto is taking a broader lens. Speaking to Ocula Magazine about the theme, Azu Nwagbogu says, “Incarceration goes beyond physical imprisonment to include intellectual, psychological, and societal forms of captivity. The theme challenges artists to address not only visible forms of confinement but also the invisible forces limiting freedom—be it through outdated narratives, borders, or even the digital panopticon of social media.”
Biennial Shift: Time for Depth
Another exciting shift is the introduction of the biennial format itself. Lagos Photo Festival 2025 gives artists and curators more time to reflect, research, and develop ideas. In an article published by BusinessDay, the festival team noted that the transition to a biennale allows extended time for artists and curators to engage more deeply with the festival’s themes, ensuring a richer and more impactful artistic experience.
Beyond the Gallery: Public Works & Programming
Exhibition view: Samuel Fosso, BLACK POPE, LagosPhoto Festival (25 Nov–15 Dec 2017). Photo: Courtesy LagosPhoto Festival / Ocula.
Investing in Emerging Photographers
Final Frame: When Captivity Falls Away
Chakam. Captivity falls away. A new story is told.
Read the Press Release here